Las óleos de todo LASTMAN, Pieter Pietersz.


ID Image  Painting (From A to Z)       Details 
29104  
LASTMAN, Pieter Pietersz., Abraham on the Way to Canaan
 
 Abraham on the Way to Canaan   mk65 1614 Oil on canvas transferred from panel 28x48"
71873  
LASTMAN, Pieter Pietersz., Abraham s Journey to Canaan
 
 Abraham s Journey to Canaan   Date 1614 Dimensions 72 x 122 cm (28.35 x 48.03 in)
7812  
LASTMAN, Pieter Pietersz., Abraham's Journey to Canaan sg
 
 Abraham's Journey to Canaan sg   1614 Oil on canvas transferred from wood, 72 x 122 cm The Hermitage, St. Petersburg
29105  
LASTMAN, Pieter Pietersz., Detail of Abraham on the Way to Canaan
 
 Detail of Abraham on the Way to Canaan   mk65 Details
7813  
LASTMAN, Pieter Pietersz., Juno Discovering Jupiter with Io g
 
 Juno Discovering Jupiter with Io g   1618 Oil on oak, 54 x 78 cm National Gallery, London
40421  
LASTMAN, Pieter Pietersz., Odysseus and Nausicaa
 
 Odysseus and Nausicaa   mk156 1619 Oil on panel 91.5x117.2cm
7815  
LASTMAN, Pieter Pietersz., Odysseus and Nausicaa g
 
 Odysseus and Nausicaa g   1619 Oil on panel, 91,5 x 117,2 cm Alte Pinakothek, Munich
7816  
LASTMAN, Pieter Pietersz., Orestes and Pylades Disputing at the Altar s
 
 Orestes and Pylades Disputing at the Altar s   1614 Oil on panel, 83 x 126 cm Rijksmuseum, Amsterdam
7818  
LASTMAN, Pieter Pietersz., The Angel and Tobias with the Fish (detail) f
 
 The Angel and Tobias with the Fish (detail) f   c. 1625 Oil on wood Museum of Fine Arts, Budapest
7817  
LASTMAN, Pieter Pietersz., The Angel and Tobias with the Fish g
 
 The Angel and Tobias with the Fish g   c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest
20362  
LASTMAN, Pieter Pietersz., The Sacrifice of Abraham (mk05)
 
 The Sacrifice of Abraham (mk05)   Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895
7814  
LASTMAN, Pieter Pietersz., The Triumph of Mordecai g
 
 The Triumph of Mordecai g   1624 Oil on panel Museum het Rembrandthuis, Amsterdam

LASTMAN, Pieter Pietersz.
Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.



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